Ng Figure 4. Anagni, Cathedral. Oratory Oratory of St. Thomas Becket. Icongraphic program path �Quattrocchi 2017. 2017. path �QuattrocchianThe choice was made to make the most on the largest continuous 4-Epianhydrotetracycline (hydrochloride) web surface: the vault. The selection was produced to produce one of the most on the biggest continuous The indication of the common directionality is provided by the figure of Christ inside a mandorla supported The indication around the portion from the vault adjacent to the border with all the vault. by angels painted with the common directionality is provided by the figure o presbytery location. Christ also acts as a connector between the Old Testament scenes with the mandorla supported by angels painted on the portion on the vault adjacent to portion covering the nave along with the figure on the Spiritual Heaven that surmounts the location with the presbytery area. Christ also acts as a connector in between the Old in front of your altar. scenes vault above the nave is divided into two registers per Phenolic acid Autophagy half-barrel, forSpiritual Heav The from the portion covering the nave and also the figure on the a total of 4. The narration beginsfront doorway within the left half, or north, in the barrel vault. From mounts the location in at the of the altar. left to suitable, the narrative starts in the highest register, moving in the Creation in the The vault above the nave is divided into two registers per half-barrel, f Globe for the Divine Reprimand and Accusation with the Serpent. It continues within the left half of 4. The in the high starts in the doorway in the left half, or north, on the barrel, stillnarration register, from the Cherubim guarding the gate of Eden to Noah’s Ark. the b From left reprise is constantly in the proper half, or south, highest register, moving The narrativeto ideal, the narrative starts from thestarting in the border with fromof the Globe for the Divine Reprimand and Accusation on the Serpent. It continue half of your barrel, nonetheless inside the higher register, in the Cherubim guarding the ga Noah’s Ark. The narrative reprise is always within the suitable half, or south, starti border together with the presbyterial location and flowing from the Meeting and OfferingArts 2021, ten,and Melchizedek towards the Expulsion of Hagar. Located near the counter-fa de, t continue inside the decrease register from the left-hand half, from God Appears 26 Abrah to 10 of Return in the Hunt. The final movement is back towards the appropriate. In the height o window, 1 can recognise the figure of Saint John the Baptist who, with scroll, hints at and flowing in the Meeting and Supplying of Abraham and Melchizedek the presbyterial areathe above-mentioned and final vision of Christ in a mandorla towards the Expulsion of Hagar. Situated close to the counter-fa de, the episodes continue within the angels. reduced register on the left-hand”downward Appears toof the Old Testament scenes, the In contrast towards the half, from God spiral” Abraham to Esau’s Return from the Hunt. The last movement is back for the appropriate. In the height with the central window, a single ment cycle, the panels with saints, plus the Becket scenes up to the countercan recognise the figure of Saint John the Baptist who, with an unrolled scroll, hints in the are arranged along the walls in line with a “ribbon-like and linear” logic. T above-mentioned and final vision of Christ inside a mandorla supported by angels. In contrast towards the “downward spiral” of your Old Testament scenes, the New registers, Last Judgement deserves some interest. Divided into 4 Testament from cycle, the panels with saints, and also the Becket scenes up t.